His name is wonderful,
His name is wonderful,
His name is wonderful,
Jesus my Lord.
He is the mighty King,
master of everything,
His name is wonderful,
Jesus my Lord.
He’s the Great Shepherd,
The Rock of all ages,
Almighty God is he,
Bow down before Him,
Love and adore Him,
His name is wonderful,
Jesus my Lord.
A couple weeks ago, I mentioned on Facebook that I was working on transitions for the upcoming Sunday worship service. I received many questions and comments about how I use transitions and what exactly did I mean by them.
I will attempt to explain here…
First of all, I should let you know that our church likes to have music playing almost at all times. Meaning, there is no empty or quiet space between songs. A typical order of service will have 2-3 worship songs, then a Guest Welcome, then the choir special, then 2 more songs. The piano does not play during the Guest Welcome. That’s it.
(Thankfully, I have the songs loaded on my handy-dandy iPad with the songs in order. See more about that topic here.)
Ok, so, this particular Sunday, the first two songs were “Majesty” (in Bb) and “All Hail the Power” (in G). when I received the order of service the Tuesday before the Sunday, I immediately began to think about how to transition between these two songs. Going from Bb to G is…well…weird. Plus, both songs are such powerful and big songs that I was hesitant to do my usual play-the-minor-ii-chord-to-the-V-chord.
Yawn. Boring.
I figured the music director would be speaking a little bit between songs, so I needed to fill that time with something interesting enough that it wouldn’t bring down the energy that was built from the first song.
I couldn’t think of anything. Friday night I sat down at the piano and tried to figure something out. All I could come up with was a 4-bar interlude that used the ii chord to the V, without it being a “basic” introduction. I didn’t think that would give the music director enough time to speak between songs. I wanted at least 8 measures.
Grr…this shouldn’t be this difficult, right?
I didn’t know what to do. Nothing was coming to me.
Then, that Sunday morning while I was getting ready, it hit me. I could use a common note to go from Bb to G.
Here’s what I did…after the end of “Majesty,” I repeated the first line (Majesty, worship His majesty) in Bb. That put me on an Eb chord with G as the melody note. Then I played the same line again in the key of G, starting with a G chord (using the note G as the common note).
Ok…that took up 8 measures of time, and put me in the key of G for “All Hail the Power.” Now I was in the key of G on the IV chord – C. I just walked my bass down to B and walked my RH up to D and played the last three measures of “All Hail the Power” for the introduction.
All in all, 12 measures of interlude. Just enough time for the music director to say his “say.” Seriously, it was just enough time. No more. No less. God is good.
Now, I still did a “basic” introduction, when I really wanted to lead up to the V. But it worked better with the basic introduction, because the people at least had some time to recognize the song.
Also, Bb to G would normally be going down in the modulation, but since I used the line in “Majesty” that went up in the melody and then kept the common note, the modulation actually sounded like I went up instead of down.
I know this was a little tedious, but I wanted to really be specific in explaining this transition.
I will try to address more transitions and modulations in days to come. Until then, let me know your thoughts, questions, etc.
VERSE #1
I hear the Savior say,
“Thy strength indeed is small,
Child of weakness, watch and pray,
Find in Me thine all in all.”
Jesus paid it all, all to Him I owe;
Sin had left a crimson stain,
He washed it white as snow.
VERSE #2
Lord, now in-deed I find,
Thy power, and thine alone,
Can change the leper’s spots,
And melt the heart of stone.
Jesus paid it all, all to Him I owe;
Sin had left a crimson stain,
He washed it white as snow.
VERSE #3
For nothing good have I,
Where-by the grace to claim;
I’ll wash my garments white,
In the blood of Calvary’s Lamb.
Jesus paid it all, all to Him I owe;
Sin had left a crimson stain,
He washed it white as snow
Jesus paid it all, all to Him I owe;
Sin had left a crimson stain,
He washed it white as snow.
VERSE #4
And when, before the throne,
I stand in Him complete,
“Jesus died my soul to save,”
My lips shall still repeat.
Jesus paid it all, all to Him I owe;
Sin had left a crimson stain,
He washed it white as snow.
Elvina M. Hall, 1865
When peace, like a river, attendeth my way,
When sorrows like sea billows roll;
Whatever my lot, Thou has taught me to say,
It is well, it is well, with my soul.
Refrain:
It is well, with my soul,
It is well, it is well, with my soul.
Though Satan should buffet, though trials should come,
Let this blest assurance control,
That Christ has regarded my helpless estate,
And hath shed His own blood for my soul.
My sin, oh, the bliss of this glorious thought!
My sin, not in part but the whole,
Is nailed to the cross, and I bear it no more,
Praise the Lord, praise the Lord, O my soul!
And Lord, haste the day when my faith shall be sight,
The clouds be rolled back as a scroll;
The trump shall resound, and the Lord shall descend,
Even so, it is well with my soul.
I Sing the Mighty Power of God
By Isaac Watts
I sing the mighty pow’r of God, that made the mountains rise,
That spread the flowing seas abroad, and built the lofty skies.
I sing the wisdom that ordained the sun to rule the day;
The moon shines full at His command, and all the stars obey.
I sing the goodness of the Lord, who filled the earth with food,
Who formed the creatures through the Word, and then pronounced them good.
Lord, how Thy wonders are displayed, where’er I turn my eye,
If I survey the ground I tread, or gaze upon the sky.
There’s not a plant or flow’r below, but makes Thy glories known,
And clouds arise, and tempests blow, by order from Thy throne;
While all that borrows life from Thee is ever in Thy care;
And everywhere that we can be, Thou, God, art present there.
Several of you have shown interest in how I use my iPad for the music service. Hopefully, this article will help explain the concept and how it works.
I am already so addicted (if I can use that word) to using my iPad for the hymns and I’ve only been using it for a little over a month. There are more possibilities to how I can use it in the music service, but I’m trying to learn carefully and not over-do it. The last thing I want to do is flub up the service because I don’t know what I’m doing.
Ok, with that being said, here is the process I use:
1. I downloaded the app ForScore from the iTunes Store. It isn’t free, but the $6.99 or so that you will spend will be so worth it. (If you look for the app on your iPhone, it won’t come up. It’s an app for iPad only, so you have to look for it on your iPad…makes sense.)
You may ask why I use ForScore? Well, it’s simple. My music director uses his iPad for the service and he uses ForScore. He’s the one who recommended it to me, so wha-la, that’s what I use. Plus, it makes much easier for sharing files…but I’m getting ahead of myself.
2. Unfortunately, ForScore doesn’t come with the hymns pre-loaded. I wish!!! So, the question that everyone wants to know, how do I get the songs on my iPad?
My music director scans the hymns from the hymnbook into PDF files (individually for each song). He then uploads them to Dropbox. (If you’re not familiar with Dropbox, you need to be. You can set up a free account and share/store files and access them anywhere.) Dropbox even has an app for the iPad!
We share the music folder on Dropbox. I pull the PDF files from Dropbox and open them in ForScore. Once you open them in ForScore, they are automatically saved. Nice. Our files are named by hymn number then the title (ie: 591 Have Thine Own Way).
NOTE: It is convenient to use the same app/program as my music director because you can email files from ForScore (in case a song doesn’t get added to Dropbox).
3. Once I have all the hymns stored in ForScore, I’m ready to make my setlist (like a playlist). I name my setlists by the date of service and AM/PM. I add my hymns for that service in the order they are listed on the order of service. If a song changes or the order changes I can easily rearrange the order of the songs.
Then I select the first song in the setlist and I’m ready to play!
4. This is where I absolutely LOVE using the iPad vs the hymnbook. The hymnbook is so big (at least ours is) and the pages are difficult to turn while transitioning to the next song. For example, we might sing 43 All Hail the Power and then have to transition to 772 When We All Get to Heaven. Do you know how cumbersome it is to flip/turn 700 pages while transitioning to the next key?
On the iPad with ForScore, you only have to tap the screen (on the right side of the screen) and it will turn to the next page. If the song has two pages, you will have to tap the left side of the screen to go back to the next verse…but that’s ok. I started out swiping the screen, which also worked, but then I discovered I could tap the screen and it worked just as well.
Aren’t you just a little curious to try it? Doesn’t it sound incredible?
Like I said before, there is a bit of a learning curve when first starting out, but take your time and practice with it. The pros definitely outweigh the cons! Speaking of cons, I will be doing an article here soon on some of the cons I’ve encountered so far (not many to be sure) and how to troubleshoot them.
I am loving all the comments and feedback you all are leaving on here and on Facebook! Don’t stop! I want to hear if you try ForScore, if you like it, if you hate it, all of the above. If you have a different method that works for you, I would love to hear that as well. We’re here to help each other provide a great music service for The Lord. Keep it up!
He Hideth My Soul
A wonderful Savior is Jesus my Lord,
A wonderful Savior to me;
He hideth my soul in the cleft of the rock,
Where rivers of pleasure I see.
He hideth my soul in the cleft of the rock
That shadows a dry, thirsty land;
He hideth my life in the depths of His love,
And covers me there with His hand,
And covers me there with His hand.
A wonderful Savior is Jesus my Lord,
He taketh my burden away;
He holdeth me up and I shall not be moved,
He giveth me strength as my day.
With numberless blessings each moment He crowns,
And, filled with His fulness divine,
I sing in my rapture, oh, glory to God,
For such a Redeemer as mine!
When clothed in His brightness, transported I rise
To meet Him in clouds of the sky,
His perfect salvation, His wonderful love,
I’ll shout with the millions on high.
Words by Fanny J. Crosby
Ok…humor me on this one…
I feel like I am constantly cutting/trimming my fingernails. I have a job where I type all day and it gets very difficult to type with long(er) nails.
Plus, when I play the piano, I need my nails short. Now, I have the utmost respect and admiration for those who can play with those long, beautiful nails. I am just not one of them.
All of my piano teachers encouraged me to keep my nails short, so that is what I got used to. There have been times when I have played with longer nails and I did not feel comfortable at all. The clicking of the nails was very distracting to me.
I usually trim my nails every week – maybe every week and a half. There have been times when I have cut my nails too short.
Not.fun.at.all.
The thumb especially hurts when this happens because the side of the thumb takes the brunt of the impact on the piano.
What abou you? How long do you prefer your nails when playing the piano?
How does the nail length affect your playing (if any)?
My country tis of thee,
Sweet land of liberty,
Of thee I sing.
Land where my fathers died!
Land of the Pilgrim’s pride!
From every mountain side,
Let freedom ring!
My native country, thee,
Land of the noble free,
Thy name I love.
I love thy rocks and rills,
Thy woods and templed hills;
My heart with rapture fills
Like that above.
Let music swell the breeze,
And ring from all the trees
Sweet freedom’s song.
Let mortal tongues awake;
Let all that breathe partake;
Let rocks their silence break,
The sound prolong.
Our father’s God to, Thee,
Author of liberty,
To Thee we sing.
Long may our land be bright
With freedom’s holy light;
Protect us by Thy might,
Great God, our King!
Words by Samuel Francis Smith
How many of you like change? If you’re like me, change is not my favorite. But a couple weeks ago, I took the “change” plunge…
Our music director started using his new iPad to direct the music for the services. From my place behind him in choir, I was fascinated that all he had to do was seemingly tap the screen to turn the pages.
I had originally wanted to get the iPad mini, but I was advised that the regular size had better resolution for music. So I saved up my money and got one. Fun stuff! Now I had to learn how to use it for church.
I bought the app forscore, which allowed me to put the songs in a playlist.
My music director sent me the hymns in PDF format, which I opened in forscore. Once I had the playlist (setlist) ready, all I had to do was swipe the screen and it would turn the page. Even if it was a new song, I just had to swipe the screen.
The first Sunday I used my iPad, I was instantly addicted. The benefits are awesome…
No more turning/handling/lugging around the ginormous hymn book. It is so heavy!
I can see now over the piano music stand! Before, the hymn book was taller than the stand and I had to strain my neck to see the music director. I’m on the shorter side, so I still have to strain a little.
Since I’m on a rotation schedule, I don’t play for every service. But I’m looking forward to trying more with my iPad, like choir songs and special music accompaniment. If I’m really brave, maybe I’ll use it for an offertory!
Do you have an iPad that you use for the music service? I would love to hear from you!
The Church Accompanist 